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J.M.W. Turner
Rain, Steam and Speed - Great Western Railway
1844Oil on canvas
National Gallery,
London
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J.M.W. Turner
Landscape with River and a Bay in Background.
1845Oil on canvas
Louvre
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J.M.W. Turner
Whalers
1845.
Oil on canvas.
Tate Gallery,
London
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J.M.W. Turner
The Angel, Standing in the Sun.
1846.
Oil on canvas
Tate Gallery,
London
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J.M.W. Turner
Mercury Sent to Admonish Aeneas
1850 Oil on canvas
Tate Gallery,
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J.M.W. Turner
View of Saint-Germain -ea-Laye and Its Chateau
Watercolour on paper.
Louvre,
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J.M.W. Turner
Rome from Mount Aventine (mk09)
1836
OIl on canvas,91.6 x 124.6 cm
Private collection
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J.M.W. Turner
Snow Storm Hannibal and his Army crossing the Alps (mk09)
c 1810-1812
Oil on canvas,144.7 x 236 cm
London,Tate Gallery
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J.M.W. Turner
Peace-Burial at Sea (mk09)
1842 OIl on canvas,87 x 86.5 cm
London,Tate Gallery
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J.M.W. Turner
The Fighting Temeraire Tugged to het last berth to be Broken Up (mk09)
1838
Oil on canvas,90.8 x 121.9 cm
London,National Gallery
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J.M.W. Turner
Rain,Steam and Speed-The Great Western Railway (mk09)
1844
Oil on canvas,91x 122 cm
London,National Gallery
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J.M.W. Turner
Snow Storm-Steam Boat off a Harbour's Mouth making signals in shallow Water,and going by the Lead. (mk09
The Author was in this Storm on the Night the Ariel Left Harwich
1842
Oil on canvas,91.5 x 122 cm.London,Tate Gallery
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J.M.W. Turner
Morning amongst the Coniston Fells
mk81
Cumberland
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J.M.W. Turner
Norham Castle,Sunrise
mk81
1798
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J.M.W. Turner
Shields,on the River
mk81
Tyne1823
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J.M.W. Turner
The Shipwreck
mk81
1805
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J.M.W. Turner
The Chancel and Crossing of Tintern Abbey,Looking towards the East Window
mk81
1794
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J.M.W. Turner
Rome from Mount Aventine
mk87
1836
Oil on canvas
91.6x124.6cm
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J.M.W. Turner
Snow Storm
mk87
Hannibal and his Army crosing the Alps
c.1810-1812
Oil on canvas
144.7x236cm
London,Tate Gallery
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J.M.W. Turner
Peace Burial at Sea
mk87
1842
Oil on canvas
87x86.5cm
London,Tate Gallery
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| J.M.W. Turner
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English Romantic Painter, 1775-1851 landscape master
landscape master .British painter and printmaker. He dominated British landscape painting throughout the first half of the 19th century. He established a reputation in the Royal Academy, London, first as a topographical watercolourist and then within a few years as a painter of Sublime and historical landscapes.
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